At Tate Britain, the artist known for sumptuous works on fraught subjects like racism and homophobia finally receives a career retrospective in his own country.
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The British painter is still in his studio, 365 days a year. In a late turn to self-portraiture, he has turned his scrutiny on himself.
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In a major new commission for the Tate museum group in London, the British-Guyanese artist returns to the themes of empire and postcolonial reckoning that have fascinated him throughout his career.
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John Akomfrah’s films have shaken up official narratives around Black identity and imperialism. His latest tries to make sense of life in the pandemic.
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