The award-winning artist is reinventing the way landscapes are depicted in art – not least by pointing out that human bodies are made of the same stuff
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‘Wakchakuna’ can be seen as Martínez Garay’s own symbolic gesture of restitution.
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As he puts his films on display, he talks about the way conkers cross cultures, password games in Ukraine, and whether ‘playing out’ is under threat
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Two years in the making, and drawing on themes of healing, the slave trade and even Vikings, the latest show by Alberta Whittle, has taken over a mansion on a holiday isle
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“It shows survival, despite all the horrible things that happened. We’re still here and continuing our cultural practices,”
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“I thought it was quite beautiful because a lot of workers on this building had to chip off the concrete by hand to create the texture. I was trying to respond to that. So I thought, ‘Why not start from the basis of labour and produce everything by hand?’”
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This exhibition might be described as a collective haunting. The ghosts of dead and living women populate the show, their fates entwined by three films that touch on themes of memory, erasure, war and borders.
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I am making enormous sculptures derived from overlooked cultures. It has to do with what we consider important and with refocusing the gaze
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Art in this country is expected to be funny, satirical, shocking or clever. But if it gets too personal or doesn’t fall under ‘kitchen sink realism’, then it becomes ‘too close’ for some people.
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Dean Kelland has spent almost five years making art with inmates at Europe’s only fully therapeutic jail – with a little help from Elvis and David Bowie
On the eve of her first major UK show, she talks race, representation and the human spirit that unites us
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