“The painter constructs, the photographer discloses,” said Susan Sontag in her 1973 book On Photography. The late Spanish artist Juan Genovés did both in his powerful political paintings that draw on photography and film techniques to point up state atrocities of the Franco era.
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Catalina de Erauso, the so-called Lieutenant Nun, has been the subject of plays, novels, and films, but her transgressions are relayed in a more unconventional, fragmented mode by artist Mercedes Azpilicueta in her beguiling exhibition “Bondage of Passions” now at Gasworks in London.
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